There were two films around then, I think.  The Power of Love had the wedding, The Family of Love had newborn Premlata.  I think.  I do remember that scene you're talking about although I'm not sure which film it was in.  I also remember the slow motion footage of Marolyn running across the beach, her rather nice breast a-heaving. 

Now here's the thing.  Looking back can anyone doubt that Rawat knew exactly what he was doing thrusting that imagery at us poor, frustrated, celibate little ashram boys?  Marolyn was gorgeous then and the footage was as voluptuous as she was.  Golden, California sunset on the beach ... this was the DLM version of  Sports Illustrated's annual swinsuit edition.  Rawat had full control of everything then.  If he didn't pick the footage, he signed off on it.  And only he would have had the guts to slow her down like that. 

Was he doing it to torture us?  Did Rawat get some perverse pleasure dangling his Divine Trophy Wife in front of us?